The answers, plainly

A button appears under each post. You click, the reading opens on the right. Nothing is analyzed without your click.

The text of the post you chose to analyze, with its author’s name, the link to their profile, the post identifier and its public counters. Not your messages, not your profile, not the rest of the feed.

Nothing is published without you. Composeur reads, analyzes and helps you write your own posts, but publishing always remains an action you take.

No. The panel overlays the interface without touching the post or the order of the feed.

No. A technique used well is not a lie. Composeur describes, you judge.

No. The composeur.fr window takes a pasted text and gives the same reading. The extension saves the round trip: the button is already under the post.

No. Nothing is sent to LinkedIn: no view, no reaction, no profile visit. The extension reads the text on screen, it never writes.

It proposes. The text arrives with its reading and its spare hooks; you cut, you rewrite, you decide. Nothing goes out without your approval.

It reads the text of the post, not what is inside the slides or the video. On a carousel the reading covers the hook and the commentary, which is where the writing happens anyway.

From real posts, spotted in the feed, described, then grouped into six families. Each sheet says how to recognise it, what it is trying to obtain, and when it rings false.

The extension automates nothing: no likes, no connection requests, no messages. It adds a button and reads the text you point at, which LinkedIn does not restrict.

It uses yours. A model asked to write a post will happily supply the detail the genre expects: a client count, a percentage, a first name. Composeur reads the text back, compares what it states against what you gave it, and flags anything that came from neither. Sending a post to LinkedIn while one of those is still in it takes an explicit confirmation.

A subject, a tone, a format: the text lands in about thirty seconds, with spare first lines to choose from. The time you spend after that is yours, since you are the one signing it.

No. They work in the background: the post is written with what holds and what does not in mind, and never names any of them. The sheets are there for the day you want to know why a line rings false.

Three posts written and ten readings a month: enough to see what the tool spots, what it writes, and decide. Each rewrite counts as a post, since it asks the model for the same work. Author counts neither.

No. The connection goes through LinkedIn's official API (OAuth): we never store your password, and you choose exactly which permissions to grant. You can revoke access at any time, from our tool or directly from LinkedIn.

Never. Every post goes through a review screen before being scheduled: you approve or edit the text. Once approved, Composeur simply publishes it at the time you chose.

You are warned beforehand, and everything you have already written or read stays in your account. The counter restarts on the first of the next month. You can also try Author for seven days: that asks for a card, and cancels in one click before it ends.

Yes. From free to Author and from Author back to free, effective immediately. Moving from monthly to yearly works the same way, with the difference prorated. No commitment, no cancellation fee.

No. Your personal style, on the Author plan, belongs to your account and is never shared or reused elsewhere.

Seven days, once per account. It asks for a card, and nothing is charged before the eighth day: cancel before then and you pay nothing. The account returns to the free quota.

Polar, our merchant of record. The invoice comes from Polar, who collects and remits the tax applicable in your country. We never see your card.

Access stays open until the end of the paid period, then the account returns to the free quota. Your texts, your readings and your history stay where they are.

No, and it asks for no card. Three posts written and ten readings a month, for as long as you like.

Twelve months, then automatic deletion. What you have written stays for as long as you do not delete it.

From your account, without going through us: the export holds your readings, your texts and their versions, your scheduled posts and your style sample. Deleting the account erases everything and cancels the running subscription.

No, and that is deliberate. Composeur rests on one idea: you should be able to defend every line of what you publish, because your name is the one on it. Writing under somebody else's name is a different trade with different demands, and this is not the tool for it.